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The LIGHT dynasty

சென்னைல‌ 2 ஆல‌ம‌ர‌ம்.. ஒண்ணு அடையார்ல‌ .. இன்னொண்ணு ஆழ்வார்பேட்டைல‌.. yes.. It is P.C.Sriram.

  pcs1

These are the notice­able, suc­cess­ful tech­ni­cians [ Cameramen/Directors/others] from the school of PCSri­ram. Also, I have listed their note­able works for their identity.

** Late Jeeva [ Indian, Kad­ha­lan ]

** Nirav Shah [ Arind­hum Ariya­malum, Billa, Pattiyal ]

** Thiru [ Hey Ram, Lesaa Lesaa ]

** Vel­raj [ Asst of PC and Thiru.. Pol­lad­ha­van ]

** YNMu­rali [ Chathriyan ]

** Bal­a­mu­ru­gan [ Amaravathi ]

** Chez­ian [ Kalloori ]

** Ramji [ Dum dum dum, Raam, Paruthi veeran ]

** SR Kathir [ Asst of Ramji.. Sub­ra­ma­nia­pu­ram, Katradhu Thamizh ]

** MSPrabhu [ Mahanadhi, Thava­maai thavamirundhu ]

** Aravind Krishna [ Pud­hu­pet­tai, Kad­hal kon­den ]

** KV Anand [ Kad­hal desam, Sivaji ]

** Mahesh Muthuswamy [ Chithi­ram pesud­hadi, Anjaathey ]

** Dwarakanath [ Auto­graph, Mayak kan­nadi ]

** D.Ramesh babu [ Veede — Telugu ]

** Arjun Jenna [ Kaad­hal virus ]

** Vijay Raghav [ Penn Singam ]

** Sathyaa [ Yuththam sei — Mysskin’s new movie ! ]

** Preetha [ Abiyum naanum — Lady ]

** Fowzia [ Mitr — Lady ]

** Arul Vin­cent [ Mund­hi­nam Paarthene ]

** Michael Earnest [ Visual effects supervisor ]

Sabu James, Andrew and Vin­cent are the other cin­e­matog­ra­phers, I got apart from this incom­plete list. I am afraid of dig­ging it fur­ther and stopped. Instead, I started won­der­ing about the mas­ter cin­e­matog­ra­pher, worked and influ­enced numer­ous assistants/technicians in the indus­try. He worked for almost 30 films and directed 3 films in his career. The num­ber of suc­cess­ful assis­tants are more than his num­ber of films, I guess :).

P.C.Sriram is the first tech­ni­cian whom I saw on screen, get­ting applause [ I applauded while watch­ing ‘Idhaiy­athai Thiru­dadhe’ ].

He nei­ther had a col­or­ful aca­d­e­mic edu­ca­tion nor had guid­ance from the indus­try. The clos­est con­nec­tion with cin­ema is that he stayed close to Venus stu­dios. His whole world changed after he joined the Chen­nai film insti­tute. After the insti­tute life, at first, he shot a 16mm film with his friends and nobody knows the where­abouts of the film. The first offi­cial offer he got, was from Pratap bothan for ‘Meen­dum oru kaad­hal kad­hai’ [ Remem­ber Gaapi & Sarasu; Adhikaalai ner­ame song ] and they shot it for 2 years [1984–86.. loosely based on the back­drop of ‘One flew over cuckoo’s nest’ ]. Then came the offer from Fazil for ‘Poove poo­c­hoo­dava’ [ 1985].

The great­est chem­istry hap­pened then in 1986 when Mani Sir’s ‘Mouna raagam’ brought both together and the rest is his­tory. Both the tech­ni­cians are leg­endary and influ­enced the film world but they assisted nobody. Alfredo shared to Toto that he couldn’t beleive that one can quickly learn cin­e­matog­ra­phy by assist­ing some­body and come out as a cam­era­man. I don’t know but it happened.

                 

Do you know the cam­era­man of ’ Pallavi anu pallavi’, first film of Mani Sir ? It’s Balu Mahen­dra. Also, give a try to find the cam­era­men for Pagal Nilavu and Idhayak kovil.. You’ll get a trivia there

             

:)

–Toto.

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8 Comments

  1. I think PC Sreeram’s first fil was with Mouli team in “Poruththam”, a com­edy movie released in mid 1985.

    I liked Madhu Ambat’s work in ‘ANJALI’.Santosh sivan was also too good in the few films i watched.

    Ashok kumar was a senior techie and one of the ear­li­est to use lights effectively.

    Jeeva was really impres­sive.
    Thiru,Ravi K chan­dran and Muthuku­mar are the most in demand cam­era­men apart from KV Anand in Bollywood.

    Sabapathy(many Mani­van­nan films) was per­haps one of the first few cam­era­men who drew applause dur­ing the title.

    of course Balu Mahen­dra is a genius and has also given some won­der­ful films.

    Com­ing to think of it, I think Suhasini started her career in films as an assis­tant Camerawoman!Vijayalakshmi, daugh­ter of yes­ter­years great BR Band­hulu was one of the few cam­er­a­women who did more than 2 films in Tamil.

    most of the Assis­tant Direc­tors resem­ble ‘Kan­jikku seththa­vanga” while the assis­tant cam­era­men are always quite posh, in mod­ern dress, styl­ish.., get paid well.
    why?

  2. Thanks Rajan for the won­der­ful notes.. In fact it has become the part II of the blog :). Porutham’s cam­era­man was Devi Prasad. Suhashini was a senior to BRV in Ashokkumar’s team. Adhu sari.. Muthuku­mar yaarunga ?

  3. may be i have mixed up Manikan­dan and Muthu kumar.
    Muthu kumar was PC Sreeram’s assis­tant. he was sacked after he and another assis­tant bypassed an ad film from a client . i think Manikan­dan is the pop­u­lar cam­era­man busy in hindhi(Farha and this guy had lot of argu­ments in SRK films).i think his wife is tamil TV ‘s first celebrity anchor-Priya.

  4. i am p.c.sir’s fan from the film agni natchathi­ram iam study­ing B.sc(viscom) my aim is to become a good cin­e­matog­ra­pher after the post of assis­tant cin­e­matog­ra­pher of P.C.Sreeram sir.

  5. Sir i’m mad­ha­van from thiru­van­na­malai sir i finsh my tenth and join iti and i fin­shed it also now i would like to study cin­e­matog­ra­phy sir one year course sir its fine to work in film indus­try plz help me sir i’m eagerly wait­ing to reach my tar­get as good cinematographer

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